Hibernation time has definitely come to an end on this part of the globe. It is now time to eat the world and so this one decided to bring himself to life and cast some magick around. Drawings are a very powerful tool for that. This is the first bear that I have ever created on paper and I don't know much about why he came out like this but I'm sure that he knows very well all about that. He is the sigil and I trust his eyes
I have a little Moleskine (3.5 x 5.5) notebook that I only draw skulls in. I started in November of 2013 and I do one whenever the urge strikes me. It's not like a skull-a-day thing but sometimes I do get into a period where I will draw one every day for a while then I won't draw any for months. I even lost it for a while and was very sad. I think the longest gap between pages has been a year. This is the most recent skull, drawn on 05.28.2018. Most of them are posted on my Instagram but you have to scroll back a ways to get at the bulk of them.
For me, it's the process of creating - not really the end result. Once something is done, it's done and you move on to the next process. Life is the ultimate process after all. We don't hang around and admire the dead body once it has finished what it needed to do...On the other hand, the end result of someone's process can be felt through what they have left behind. I hope this is what will eventually happen with the art I create.
Bearskullpine
A new bigger version of my earlier drawing
In the Finnish mythology killing of a bear was followed by a great feast in honour of the bear (peijaiset), where a substantial part of the celebrations consisted of convincing the bear's spirit that it had died accidentally and hadn't been murdered. Afterwards, the bear's skull was hung high upon a pine tree so its spirit could re-enter the heavens. The bones of the bear were then buried under the pine.
Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
"Whirlwind 22”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 22nd in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 22, 2020.
“Whirlwind 9”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 9th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 9, 2020.
Drawn in Prismacolor Stick on heavy cream drawing paper. I wanted to capture the burning intensity of her patience as she waited for a sign from me that we were going to leave for our walk.
